The new typeface system is based on legibility of Renaissance and Baroque Antiqua. It maintains the quality of drawings without an overpowering historical legacy. The current concept makes the system a universal whole. Abrading of sharp edges which could catch one’s attention leads to a fine rounding of details. In this way, a sans drawing does not look hard and sterile unlike most of its contemporaries. Special attention was paid to every detail of each letter. The professional question of how to incorporate brightening wedges into the dark places of individual strokes’ onsets was resolved by rounded shapes that have their graphic response in the detail of the serifs. Particularly in larger sizes the typeface offers drawing sophistication and dimensional interconnection. Apart from Cyrillic alphabet, the alphabet design includes Vietnamese accents.
Rostislav Vaněk, Tomáš Nedoma
Localized Forms, Ordinals, Lining Figures, Proportional Figures, Tabular Figures, Oldstyle Figures, Capitals to Small Caps, Small Caps, Case Sensitive Forms, Discretionary Ligatures, Standard Ligatures
Afrikaans, Albanian, Asu, Basque, Belarusian, Bemba, Bena, Bosnian, Bulgarian, Catalan, Chiga, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Luo, Luyia, Macedonian, Machame, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Russian, Rwa, Samburu, Sango, Sena, Serbian (Cyrillic), Serbian (Latin), Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Ukrainian, Vietnamese, Vunjo, Welsh, Zulu
© 2013–2015 Signature Type Foundry. All rights reserved.